What comes to mind when you think of “opera”? These are mine:
-Way too long
-In some language I don’t speak
-Centuries old music with centuries old plots
-I probably won’t get any of the jokes
-I’ll have to get dressed up
-The music can get monotonous if I’m not in the mood
-It’s kind of expensive
I freely admit – being a classically trained musician earning a DMA – that I have completely skipped out on operas that by all rights I should have seen, because I didn’t want to go sit through 3 hours of singing in German. Or Italian or French or Russian. Or English, for that matter. I just didn’t want to do it. Too long, too monotonous, and I get airplane butt (you know what I’m talking about) after about 2 hours. AND I have to wear nice clothes while I’m sitting there, not being seen by anyone, AND I don’t even have the movie theater luxury of snacking. If I have to spend $30 for the cheapest seats available, there’s a good chance I’ll consider staying home, ordering a pizza and streaming the opera on Netflix or something. At least I can be comfy and have a pause button. AND I ACTUALLY LIKE OPERA.
But – what if I told you there was an alternative? That opera doesn’t have to be serious time/money/cultural commitment? What if I told you opera could be:
-Short – no longer than a sitcom episode
-Recently written, on modern issues/characters
-You don’t have to have a Ph.D in musicology to get the jokes
-Casual, relaxed performances
-Casual, relaxed venues
-About the same price as dinner out
If you’re still skeptical, let me present this:
-How about a ten-minute opera about Paula Deen’s attempt to get into heaven?
Got your attention? We’re NANOWorks – North American New Opera Workshop. We do short operas: none longer than 30 minutes. They’re all written recently, most within the last five years. They don’t require any special education to enjoy. They are about the things that interest us: some of them are thoughtful, some of them are ridiculously funny. We’ve performed in coffeehouses and bars. You can wear whatever you’ve been wearing all day and drink while you listen. I’m not kidding, it’s the greatest thing. And you get the joy of a live performance – the musicians playing off the audience for comedic timing and delivery. There’s nothing like it.
Think of it this way: We’re like when you decide to watch an episode or two of something instead of committing to an evening of the extended Return of the King. Which is undeniably worth it, but definitely not feasible every night. We are.
Now before you go accusing me of shameless self-promotion, let me state this: I am with NANOWorks because I believe in it. Mozart’s operas were popular because they were contemporary, the music was interesting, it was in their language, it was relatable to everyone (educated and uneducated alike), and 3 hours was a reasonable amount of time to spend on live entertainment (there was no other kind!). Opera was for everyone.
This is exactly what we, NANOWorks, are doing today: the music is interesting to our modern ears, it is in our language, it involves people and situations we can relate to, and it is a reasonable amount of time to spend on entertainment. I firmly believe that our operas are being presented and received in the same context as Mozart’s back in his day. Nobody needs a history degree or second language to enjoy them, nobody needs to drag out the pearls, and nobody needs to forego Starbucks for three weeks to afford the tickets (we, as musicians and coffee addicts, would never stand for such a thing). We are simply bringing you quality, live entertainment in a fun, comfortable, relaxed atmosphere. This is opera that your dad can get behind.
If this sounds way better than traditional opera to you, please check us out. We’re pretty sure you’ll have a good time.
And, good news! We’ve got upcoming shows! May 3rd and 4th!